Animation Details
Build a fictional interaction around a backward lean and a returning hand reach. Pushing back and holding neck shows two figures stepping into close upper-body contact. One figure extends the arms while the other moves backward, bends the knees and leans the torso away. A gap opens between them before the approaching figure reaches forward again. The extended hand comes near the other's upper chest and neck as that figure rises from the lower position and continues leaning back. Small changes in head angle, elbow bend and foot placement sustain the final passage.
 
Technical Specifications
The listing identifies FBX animation format and names Pushing back and holding neck.zip as the download. Asset duration, frame rate, skeleton configuration, looping and root-motion behavior have not been verified from the files.
 
Compatibility and Production Workflows
Use an import and retargeting route supported by your animation tools; compatibility is untested. Review the relative character spacing and the hand's relationship to the upper chest and neck. Check the backward torso angle, bent knees and floor placement after retargeting. Prepare surrounding transitions for both the close opening and the extended-arm ending.
 
Suitable Uses
Consider the visible choreography for a fictional confrontation, dramatic cutscene or character-interaction study. The opening contact, separation and renewed reach create distinct visual beats for scene blocking. A camera that includes both figures can show the changes in height and distance. Assess the preview against the expressions, framing and timing planned for your production.
 
What's Included
The named ZIP is the listing's download, and FBX is its stated animation format. Archive contents, clip count and coverage of the previewed participants remain uninspected here. The preview characters, environment, props and effects are not verified as included. No specific physical outcome is established by the visible poses.
 
Tags
fictional confrontation, paired preview, backward lean, bent-knee response, extended arm, upper-body interaction, scene blocking